By Radford Architectural Co.
Cheap reprint of infrequent 1909 catalog, that includes genuine illustrations and ground plans for houses starting from uncomplicated three-room bungalows to intricate 10- and 12-room buildings with sitting rooms, libraries, parlors, and wraparound porches. An very good reference for domestic restorers, preservationists, and scholars of yank architectural background. A satisfaction for Americana fanatics and nostalgia fanatics.
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Extra resources for 100 Turn-of-the-Century House Plans (Dover Architecture)
Historic England’s (2015) guidance states categorically that ‘Setting is not a heritage asset … Its importance lies in what it contributes to the significance of the heritage asset’, while the Venice Charter states that ‘conservation of a monument implies preserving a setting which is not out of scale. Wherever the traditional setting exists, it must be kept’ (ICOMOS, 1964). Whatever one’s sympathy with the intent behind these notions, once again they do imply a master and subordinate relationship between the heritage asset and the setting.
1993) Management Guidelines for World Cultural Heritage Sites. Rome, ICCROM. Fowler, P. (2001) Cultural landscape: great concept, pity about the phrase. In The Cultural Landscape: Planning for a Sustainable Partnership between People and Place (eds R. Kelly, L. Macinnes, D. Thackray and P. Whitbourne). London, ICOMOS UK, pp. 64– 82. Fowler, P. (2002) World Heritage Cultural Landscapes, 1992–2002: a review and prospect. In Cultural Landscapes: The Challenges of Conservation. UNESCO World Heritage Papers 7.
Interestingly, though he also makes the point that ‘the public tend to exhibit a profound ambivalence towards the historicity of the townscape’. By implication, this suggests that ‘historicity in itself cannot act as an adequate basis for conservation policy’ and he suggests that buildings should not be preserved merely for their historicity alone, but because of their value for the wider community. This underlines the importance of involving communities in such processes as conservation plans and heritage impact statements in order to properly understand the value of heritage assets.