By Siegfried Zielinski
The media are actually redundant. In an summary of advancements spanning the earlier seventy years, Siegfried Zielinski’s [ . . . After the Media] discusses how the technique of technology-based communique assumed a systemic personality and the way concept, artwork, and feedback have been operative during this approach. Media-explicit considering is contrasted with media-implicit inspiration.
Points of touch with an arts viewpoint contain a reinterpretation of the artist Nam June Paik and an creation to the paintings of Jake and Dinos Chapman. The essay ends with appeals. In an summary of an actual philology of tangible issues, Zielinski indicates chances of how issues might continue after the media.
With a vade mecum opposed to psychopathia medialis within the type of a manifesto, the e-book advocates for a contrast to be made among on-line life and offline being.
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Extra info for [...After the Media]: News from the Slow-Fading Twentieth Century
With Antonio Negri and many others Balestrini is accused of armed subversion and involvement in the assassination of Aldo Moro. He escapes over the Alps to France on skis. There he meets Jean-Jaques Lebel and Félix Guatarri, among others, and he still lives there today, as well as in Rome. He knows Robbe-Grillet from the time of their collaboration on the literary journal Il verri. Almost half a century after the artist, who also produces visual text collages for galleries and museums in Dadaist manner, conceived his literary experiment Suhrkamp publishers print 2000 variants of his Tristano novel.
The concept of propaganda does not distinguish between the markets for politics or the markets for commodities. Viewed genealogically, propaganda refers in equal measure to promoting ideologies and countries as well as things, services, and companies. The political scientist and sociologist Harold Dwight Lasswell is an outstanding theoretician of propaganda as a necessary dimension of modern mass democracies if they are to function on a technocratic and scientific basis. A prominent member of the Chicago School, Lasswell studies Freudian psychoanalysis in Berlin and writes his PhD thesis in 1927 on Propaganda Technique in the World War.
Whether the cable is two or 200,000 yards long is immaterial; the message can be heard at the location where it is received. The resonating chamber can be anywhere, provided the electrical connection works. A couple of decades later guitarists will play notes in Los Angeles that will be heard in a studio in London, for example. Instead of a cable the connection functions wirelessly. , without a feedback loop) we are traversing the immediate postwar years that are hugely important both for various arts and for science and technology.